Showing posts with label Historic photos. Show all posts
Showing posts with label Historic photos. Show all posts

Sunday, July 5, 2020

When was the earliest Maori photographic portrait taken?

Originally the earliest Maori photographic portrait was thought to be that of Caroline and Sarah Barrett taken ca. 1853.Ref: A71.462. https://lnkd.in/gi_3Z7f

A recent finding has now revealed an earlier portrait - that of Hemi Pomara taken in 1846 by Antoine Claudet. The hand tinted daguerreotype portrait of Hemi was taken in London (Hemi was taken to Britain in the 1840s). This portrait is in the National Library of Australia's collection and was identified by Elisa deCourcy and Martyn Jolly as part of their research for their forthcoming publication Empire, Early Photography and Spectacle: the global career of showman daguerreotypist J.W. Newland (Routledge, November 2020). See their article in the Conversation


Saturday, May 6, 2017

Unusual marks on an old photo

Recently I was asked to restore a photograph that had some unusual fine white pin marks on each corner.   I have not seen these types of marks before....

The full restored photo

Enlarged pin mark



The marks remind me of crop marks used by print designers when laying out publications either to indicate page edges or where to crop an image. I am wondering if these marks were added by the photographer to assist the picture framer. So far my research has not been able to confirm this. Have you seen this on any of your old photos do you know what these marks indicate?
Copyright Carterworks NZ

Saturday, March 25, 2017

Scanning Lantern slides

19th Century Magic lantern
 projector Wikipedia


Some time ago a client approached me about digitising a collection of early lantern slides.  Lantern slides are squarish glass slides that contain a mounted photographic transparency and are designed to be displayed in a magic lantern projector. Magic lantern projectors date back to the 17th Century and use a concave mirror at the back of a light source to direct the light through a lantern slide onto a lens which is adjusted to display the image on the slide onto a wall or screen.  Early lantern slides were hand painted images, then later the slides were printed using either photographic or photomechanical processes.






Lantern slides are positive images made from a negative. The image is mounted on a glass plate and covered with a glass cover which is taped at the edges. Lantern slide shows were either for entertainment or educational purposes. My client's slides dated from the 1920s and were black and white photographic images her Grandfather used to illustrate a presentation he made to the Nelson Literary Scientific and Philosophical Institute.  The slides and talk were about the hill tribes of Assam in north east India where he lived for some years.




Oridinary scan of image captions
Scanning the slides involved a two stage process - a reflective scan to record the image surround which contained important image captions and a second transparent positive scan.  In the second scan the scanner light is transmitted through the slide in the same manner as a magic lantern. The combination of shining light through the slide; the fact the slide sits directly below the scan head with no additional scanner glass and the auto focus function, enables a very clear high resolution scan.  Lantern slides are encased in glass so it is important to identify the emulsion side to get a clear scan.  Like glass plate negatives Lantern slides need to be handled carefully with gloves to avoid fingermarks and breakage.



Slide Scan
Final image


Final image
Final image
                       














Copyright Carterworks NZ

Tuesday, November 3, 2015

Photo manipulation before Photoshop at the Met

A couple of years ago I read a really interesting book called "Faking it: Manipulated photography before photoshop" by Mia Fineman which also was the basis for a Photography exhibition held at the Met. I was reminded about this when I saw a recent post in PetaPixel.com.

"Faking it" describes the art of photographic manipulation before Photoshop and shows that photographic manipulation started very early on in the development of Photography.  


 Faking It: Manipulated Photography Before Photoshop

Mia talks about seven different types of photo manipulation which are designed to:
1. correct faults in the original photograph and to compensate for the limitations of photography (the example in the article below from PetaPixel falls in this category)
2. create "art" photographs
3. persuade people - for political and ideological reasons
4. amuse and entertain - "novelty" photographs
5. represent images for print
6. create surreal dreamlike images and
7. deliberately change the photographic image (using modern manipulations and composites pre-Photoshop) - she calls - Protoshop....
Its a fascinating read and shows that photographic retouching and manipulation is not new - its a real skill the requires a eye for detail and understanding of proportion, composition and anatomy and patience to re-create reality, its just the tools have changed .....


For those of us who live down-under the Met has put the entire exhibition online at:       http://www.metmuseum.org/exhibitions/listings/2012/faking-it 


Copyright Carterworks NZ

Friday, June 13, 2014

Kelburn Normal School Centenary digitisation and display project

Visitors to this blog will have noticed it has not been updated recently. As well as client projects, I have been digitising of Kelburn Normal School's photographic collection in time for the school centenary which was held in May this year. The Centenary turned out to be a great event with 300 attending on the first night and many more on the Saturday for official opening, viewing of displays, and entertainment.  On the Sunday some returned to take a more leisurely look at the photos.

Kelburn School has an impressive photo collection ranging from formal class and sport photos, to music and drama, events and happenings over the years, plus images of the school and teachers.  To date Carterworks has scanned over 1300 images and that is only to 1998! (It excludes documents and photo key notes).

Over 30 people sent in photos many using the Carterworks file uploader to load images from around New Zealand, Australia and England....so even those who could not make it on the day could contribute. 

From past experience with reunions I knew that having original photos on display was not a good idea, partly because many of the photos were small and secondly photos are fragile and can get damaged. As all the images had been archived scanned to international standards it was easy to convert and enlarge them on to A4 sheets for display.  Admittedly the schools printer was kept busy for 3 to 4 days!  The prints filled over 40 square metres of display area.  The boards were placed in 6 classrooms around the school for the main open day and in the hall on the Sunday. There were so many images table tops and walls were also used..  

Below are some shots of people enjoying the photo displays on Saturday.





The photos were enjoyed by all ages.







The larger prints allowed people to identify themselves in the photos and this started many discussions....


Photo Boards in the hall on Sunday - which gives some idea of the extent of the collection.


The work continues....
From 1998 onwards the school had class photos on display in the school hallways and stairwells.  Those photos not in a digital format (from the late 1990s to 2008) will be digitised over the coming months to complete the project.....

Copyright Carterworks NZ





Monday, November 25, 2013

An interesting way of displaying your digitized images at a party



Most people know about digital photo frames,but not many people realise a lot of modern TVs can be used in the same way. Recently my dad turned 80. We wanted to do something special for his party. I have been digitizing many of our family photos, slides and negatives.   It was easy to go through the digitized collection and select images to display along with more recent digital photos we had taken to create a personalized digital slide show. It was then a simple matter to load the digital images onto a USB stick and insert it into the USB slot on my parents TV.

The TV's slide-show function automatically displayed each image for 20 seconds.

What surprised me was how much interest this little digital show generated at the party. People enjoyed looking at the images and talking about them.  Many of the images contained family members and friends who were at the party. The TV made a brilliant viewer as everyone could see it easily.  Digitization allowed us to view images from the early 1900s to the present day in one show.

Thursday, October 24, 2013

Dating historical photos

What age do you think this photo is?
 
 
I actually have a pretty good idea of the age of this photo, as it is a photo of my Great grandmother and Grandfather and my Grandfather wrote an important clue on the back, which I will tell you about later.  But what if my Grandfather had not given me a clue, how could I discover the date this photo was taken?   

Dating old photos requires some detective work, you have to look for clues.  Factors such as the type of photographic process used; who the photographer was, when they operated, and the size of the photo are all important clues.  For paper printed photos,  the type of mount and the information printed on the back of the mount also give clues about the age of the photo.  The clothing people are wearing the studio setting, the props and background provide additional information.
  
Photographic Process : The photo is mounted on card, it has a slight purple tinge to it and it is smooth and glossy.  The photo is a paper based print and not a negative. This eliminates some earlier photographic processes such as daguerreotypes, ambrotypes and tintypes. When the photograph is enlarged you cannot see the underlying paper texture. This means the photo has at least three layers, which narrows the range of print types to either a Gelatin or a Collodian printed out print.  If it is a Collodian printed out print it will have three layers making up the print and the paper fibres will not be visible when you look up close at the highlights and mid-tones (apart from the damage).  Looking at the photo closely, and combined with the other factors it appears the photo is a Collodian printed out print, a photographic process used  between 1865 to 1920.  That is quite a wide range, so we need to look at some  of the other clues.

Photo mount: The photo measures 4 ¼ by 6 ½ inches (10.7 by 16.5cm), and apart from my Grandfather's handwriting on the back it is completely blank.   This size of photo is known as a Cabinet Card, not a smaller carte de visite. Roger Vaughan, an English collector of early photographs, has identified some useful stylistic mount characteristics of these cards which can be used for dating.   Cabinet cards were often blank on the back in the 1900 period, with no printed matter.  This cabinet card has rounded corners, again this indicates it was produced around 1900, because after 1900 Cabinet cards were square with embossed borders. 

The photographer:  At the bottom of the photo it says Frank J Denton and in brackets (Late A Martin), Wanganui, New Zealand. This suggests to me that Denton may have bought Martin's business. Denton is listed on the Auckland City Photographers Database, a wonderful resource which can be accessed online via the Auckland Public Library site. Denton is listed as operating in Wanganui around this time (at the time of my original search, a little later) and Alfred Martin is listed as being in Wanganui until the late 1890s.  I did a search on Papers Past, in the Wanganui Chronicle 1899 and found a very interesting Public Notice:
 
So I believe Denton had only recently taken over this business when my great grandmother and grandfather had their photo taken.

Clothing Styles: My Grandfather was born in September 1896 and his mother in 1871. She was an assistant teacher. He looks about 3 to 4 years old. My Great grandmother is wearing a masculine styled coat dress with a high collar and the top of her sleeves are quite small and not the large puffy style that was popular in the 1890s, indicating that its a later style.  Consulting a reference on dress styles, in the early part of the 1900s progressive women who were working adopted a more masculine style of dress. Her coat dress was popular in the early 1900s.  My Grandfather is dressed in an Edwardian style. 

It is pretty clear from my analysis that the photo was taken either late 1899 or early 1900 which is confirmed by the clue my Grandfather wrote on the back of the photo:


 "Mother and me at Norsewood about 1900"

Now I just have to work out what they were doing in Norsewood at that time, but that is another mystery to be solved.....

Some useful references:
 
For photographic processes  http://www.graphicsatlas.org/

For NZ photographers since 1840 - the photographic database link is:
Some links on clothing styles and fashions
http://www.fashion-era.com/Dating_Costume_History_Pictures/how_to_date_photographs_top.htm

Copyright Carterworks NZ

Wednesday, July 31, 2013

Fascinating detective work by the Independent

The Independent has had a series of articles showing images taken from glass plate negatives that have recently been uncovered in the Somme area.  It is suspected they were taken by a local amature photographer who would have sold the prints from these negatives to subjects to send home to their loved ones.  One set of negatives is particularly interesting as it shows a woman dressed in an NZ uniform, see the story in the following link....
 
 
And another about a different image from this time
 



Restored image

Original image
Postcard images from this era were very popular and like many I have private images that were sent home (England) during this period. This one is of my great grandfather taken in Ypres (Leper) 1917.    It was probably taken by a local photographer and incorporated into a postcard image. 












Copyright Carterworks NZ

Wednesday, June 12, 2013

Scanning Glass Plate Negatives

 
Recently I was given a number of glass plate negatives to scan.  Their owner thought they dated from the late 1800s but wasn’t too sure what the images were as they were difficult to see.   The negatives had been stored away flat in wads of newspaper...
 





 
We have a special tray in our scanner that enables us to scan glass plate negatives with the emulsion side uppermost so the delicate emulsion does not need to be in contact with the glass of the scanner - many other scanners cannot do this. 
 
Can you imagine my excitment, these images had not been seen for many years! ....What would we uncover?  Below are a couple of images from the collection....

Click to enlarge
 
 
Glass plate negatives require careful handling and storing to avoid damage.  To protect these negatives it is best that they are stored vertically on their longest side and in individual archival envelopes. For more advice see http://natlib.govt.nz/collections/caring-for-your-collections/photographs
 
Copyright Carterworks (NZ)

Monday, June 3, 2013

Hidden information - Neville's Discovery


Some time ago I was asked to restore a small photo of Neville's father who was a scout in the early 1900s in Wellington.  The photo was quite small and faded and was taken in Hay Street, Oriental Bay.


 
I restored the photo and printed it at a larger size.  I was able to enlarge this photo because the original image was quite sharp and I can scan and print photos at a high resolution.  The resulting print showed a lot of the detail not obvious in the original. 
 


After looking at the print, Neville was surprised to notice an officer's ranking shoulder of his father's uniform.  He said he never realised his father had obtained that rank as it was not obvious in the original photo.

Copyright Carterworks NZ

Sunday, May 26, 2013

Early colour photography




Sergey Prokudin-Gorskii
One of the most amazing collections of early colour photographs is held by the Library of Congress, known as the Sergey Prokudin -Gorskii collection.  These early colour photos were not easily viewable because the images were made up of three separate black and white glass plates which had been shot simultaneously with three separate lenses covered with a different coloured filter-  red, green and blue.  The colour image was formed when the plates were combined in a specialist viewer.  It is believed Gorskii's camera was similar to one developed by Miethe in 1903.   Between 1909 and 1915  Gorskii travelled around Russia documenting the country at the time producing both colour and sepia images. He managed to leave the country with around half of his collection that was later bought by the Library of Congress. 

 
 
In 2000 the Library started scanning these images and many have now been restored, using the process of digichromatography.  http://www.loc.gov/exhibits/empire/making.html 
 
 
One of the striking things about these images is the fact they are so real, yet they document a time that we most commonly see in black and white or sepia. 
 
 


View of Vitebsk taken in 1912
 
 
Copyright Carterworks NZ

Monday, November 28, 2011

Kelburn Normal School Historic photos for a play

Earlier this year I was asked to supply a number of restored historic photos which were used as the backdrop for a school play featuring views of the school's history.  Some of the photos used are shown below:
      The school hallway 1920s

Junior school 1920s

Influenza epidemic

The top playground

Time capsule

Teacher trainees observing class

The junior school in Ngaio Road
  Kelburn School from the Glen