Showing posts with label colour correction. Show all posts
Showing posts with label colour correction. Show all posts

Tuesday, October 24, 2017

Do I scan the negative or do I scan its print?


At Carterworks we scan and digitize thousands of colour photographic prints, slides and negatives.

When it comes to digitizing colour photos from certain eras it is better, if possible, to scan the negative. Why is this?  If you scan a colour print and compare it to a scan of the negative used to make that print you will notice differences between the scans.  This difference is particularly obvious in prints and negatives produced circa 1980s - 1990s.  These differences are not due to scanner settings or the type of scanner.  We know this as our systems are colour controlled.  To illustrate this point we scanned negatives and their corresponding prints from our own collection.

What we found:

1. Scans taken from original negatives have a greater colour range than the scans of their corresponding colour prints. Some of this difference can be explained by the limitations of print technology and inks at the time of printing; the remainder can be attributed to environmental exposure and the unstable nature of colour photography.  Another reason is the addition of black in the shadows at the time the print was made. Black was added to  made the print images look sharper but this  means information and colour is lost in the shadows.  The negative does not have this loss of detail.


Scan from original 1990s negative

Scan from original 1990s print.  Use of black
in the shadows reduces photo information.
The photo scan has a pink colour cast

























2. Prints often have a distinctive colour cast.  This is caused by a mechanism employed by the chemical photo labs in the past to "improve a photo" which was to add a wash of whatever the dominant colour was in the image being developed.

We first discovered these differences when we scanned in a series of photos we took in the early 90s of  Art Deco buildings in Napier, NZ.  At the time the images were shot many of these buildings were predominantly painted with a soft pastel neutral background of white or cream and colour was used to pick out the building decoration. We noticed that a lot of our prints of these buildings had a colour cast which was in the same colour range as the buildings trim.  However this colour cast could not be seen in a scan of the corresponding original negative. These colour casts are obvious when compared to the original scan of the corresponding negatives, see examples above and below..


Scan from original 1990s print note the blue green colour cast

Scan from 1990s original negative

      
Scan from original 1990s negative
Scan from original 1990s print note the blue colour cast




What if you only have photos? 

This is not a problem.   We will produce a high resolution scan of your photos, remove the dust and scratches, correct any colour casts and any photographic print texture using Photoshop and other specialized editing tools as we have done in the restored example below....

Original photo no negative available with
red colour cast.
Final image corrected in Photoshop



Copyright Carterworks

Saturday, September 28, 2013

Kelburn Normal School Centenary dramatic colour photo transformation

I am busy scanning Kelburn Normal School class photos for the Centenary celebrations to be held in May 2014.  In the 1970s school photographers started offering school photos in black and white and colour. I can see why they did both...they were not sure about the stability of colour photographic processes.....this one is from 1977...


It looked a little red...I was delighted to discover that it responds well to a bit of photoshop magic!

 
 
For information about the reunion go to  http://www.kelburnnormalschool100.com/index.html or the facebook page  at https://www.facebook.com/KelburnNormalSchoolCentenary

Tuesday, August 20, 2013

Reproducing a water colour

A while ago I was asked by a couple to reproduce two beautiful original watercolour paintings. The paintings were painted of their daughters by an elderly Aunt.  One of the daughters, who now lives overseas, had asked for a copy of the paintings that she remembered as a young girl.

As an artist, I think it is important to reproduce colours accurately, something that was quite hard to do years ago when colour print technology was limited. 

Fortunately the watercolour originals were in beautiful condition.  I chose an archival matt paper ideal for art reproductions that resembled the original watercolour paper in its colouring and subtle texture. As I have a fully calibrated scanner, computer screen and printer I was able to accurately match the printed colours to the original watercolour.  The prints were reproduced using my  beautiful high resolution Epson Stylus Pro 3800 printer, which has archival inks. The family were really pleased with the end result.  As a bonus the family now have digitised archival copies of the original artworks which they can share.




Copyright Carterworks NZ


Sunday, July 28, 2013

Instagram and vintage - they're fun but they are not the only option for your old slides & vintage photos


Recently I have noticed lots of fashion shoots with a vintage or instagram look.  These are great fun. There are now tons of phone apps and photoshop tutorials that show you how to create these effects – which can look great  if chosen well and applied to the right image….
I started to wonder where the idea came from to add these effects...............

I suspect it is a result of home scanning of family photos....
Old colour photos and slides naturally produce this vintage or retro instagram effect because the scanning process just copies the chemical damage caused to the film or print over time.  While some images look nice, others just don’t work.  A lot of people just don’t know how to fix this …..and think their only option is to throw their photos away!

The good news is you have options.  You don’t have to put up with this chemical damage once your images are digitised.  Any digitised image can be colour corrected and restored to bring out the true colours of the original image . In this photo taken in the early 1980s, the original is on the left, the restored one is on the right….

 
You can also get rid of other unwanted effects - dust, scratches, over exposure, shadow, and even people as in this example from my website which was a Kodachrome slide from the 1960s.


 
If you have some images sitting round home that look like this…
then give me a call ........they can be saved
Alternatively you can send your scanned photos directly to me via my file up-loader!


Copyright Carterworks NZ

Sunday, May 26, 2013

Early colour photography




Sergey Prokudin-Gorskii
One of the most amazing collections of early colour photographs is held by the Library of Congress, known as the Sergey Prokudin -Gorskii collection.  These early colour photos were not easily viewable because the images were made up of three separate black and white glass plates which had been shot simultaneously with three separate lenses covered with a different coloured filter-  red, green and blue.  The colour image was formed when the plates were combined in a specialist viewer.  It is believed Gorskii's camera was similar to one developed by Miethe in 1903.   Between 1909 and 1915  Gorskii travelled around Russia documenting the country at the time producing both colour and sepia images. He managed to leave the country with around half of his collection that was later bought by the Library of Congress. 

 
 
In 2000 the Library started scanning these images and many have now been restored, using the process of digichromatography.  http://www.loc.gov/exhibits/empire/making.html 
 
 
One of the striking things about these images is the fact they are so real, yet they document a time that we most commonly see in black and white or sepia. 
 
 


View of Vitebsk taken in 1912
 
 
Copyright Carterworks NZ